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In our Intermediate Piano Method, we have pioneered a pedagogically-sound program that motivates teens with classical-pop piano music and engaging age-appropriate activities. If your teen students are looking for a change, it is time to introduce them to the classical-pop piano music found in the WunderKeys Teen Method Books.
#Free ear trainer software download
Before You Download Today’s Ear Training Game There is a very good chance that your struggling teen piano students need ear training assistance.Īnd that is what we are helping with today. Pianists with a trained ear can predict where measures of music are heading and then combine this knowledge with their sight reading skills to make their way through a piece of music efficiently. And that perfect partner is a trained ear. And because of these predictable patterns, piano students get a slight reprieve from note reading.īy the time teenagers reach intermediate music, note reading skills alone will not allow for the effective performance of a piece of music. Let’s Get Back To The Importance Of Ear Trainingįor the most part, music moves and resolves in predictable patterns. Without the ability to differentiate between two different pitches, piano students will not get far.Īlong with the recognition of rhythm, the development of relative pitch is the reason all piano teachers begin or end each lesson with ear training. Oh yeah… and it also happens to be one of the key building blocks of a piano education. It is the ability to differentiate between two different pitches. And that’s because it is kind of simple… and a little boring. Something that very few are blessed with.īut you hear less about relative pitch. You hear the term perfect pitch all the time. Well, I can begin by saying that ear training activities are as important as technical exercises… and it’s not just because students need to earn points in RCM or ABRSM exams ? It’s Time To Talk About Relative Pitch What makes ear training as important as technical exercises? And are these exercises still actually for teens? Some activities are so ingrained in the piano lesson experience that we rarely take time to consider why those activities exist in the first place.Īlmost every teacher begins or ends piano lessons with ear training activities. But the purpose of the activity has less to do with recognizing chords and instead uses these chords and inversions as tools for finely tuning the teenage ear. You may be thinking, “Wow, that’s very specific.”Īnd it is. Today’s activity trains the teenage ear to hear the difference between chords in root position and chords in first inversion. So, let’s make it our mission to dial back the seriousness for just a few minutes every week, and replace boring intermediate theory with enjoyable teen ear training games! It has always been my belief that teens are more likely to quit the piano because lessons stop being fun. If you don’t already play a ton of games with this age group, we’d love for you to make this a goal for the coming year. Over the next few weeks, Andrea and I will be sharing theory-focused piano activities and teen ear training games for your intermediate students.